Josef Kote Symphony of Color & Light

 Josef Kote in his studio

Josef Kote in his studio

The paintings of Josef Kote are symphonies of light and color. They are lyrically stunning and romantic, edgy and current. Kote achieves this delicate balance of seemingly contradictory qualities through his complete mastery of technique and through years of experimenting to find his own unique style.  

Influenced by many places where he lived, Albanian-born artist Josef Kote began his journey towards artistic self-discovery in his youth and never looked back. From very young age, he was endlessly drawing and had the innate urge to create. By the age of 13 he had made up his mind to become an artist and devote his life to the arts. He focused on getting accepted  into the finest art high school of his native Albania. Ultimately, after competing locally and  nationally, he was awarded a coveted spot at ‘’National Lyceum of Arts’’ in Tirana.

In 1984, Josef Kote followed this amazing feat by being accepted into the ‘’Academy of Fine Arts’’ of Tirana, where he was educated in the traditional approach of the old masters. Even as a student he wanted to break loose of the limitations, wanted to experiment and grow, sometimes leaving paintings seemingly unfinished, shatter the boundaries of classic realism. While still in school Josef Kote also worked at a movie studio, and made a small but well-received animation film Lisi. In 1988, Kote graduated with a diploma in painting and scenography.

Josef Kote began his professional career as a scenographer at the Petro Marko Theatre in Vlore, but in late 90-s, the 26-year-old artist grew restless and decided to debark to Greece, where the warmth of the Mediterranean sun and brilliant light infused his paintings in tone and style and lent them a more impressionistic air. Highly respected, the young artist did well and received many important commissions,  including in 1998 painting ''The Meeting of the Leaders'' for the Hellenic Cultural Union in Thessaloniki, which depicted the Assembly of the Founders of Modern Greece, and a portrait in 2000 of the former president of Greece, Konstantinos Stephanopoulos, for the Greek community in Toronto. After a very successful ten years in Greece, Kote was weary to rest on his laurels, and he moved to Toronto. Already renowned for his beautiful portraits and scenic paintings, Kote now garnered additional kudos for his gorgeous urban scapes and snow scenes.  His color and style moved away from the impressionistic influence toward a more expressionistic feel.

Like a rolling stone, Kote moved to New York, The Big Apple, in 2009.  Here his paintings and style morphed again. The colors grew bolder, and his style became so unique that it cannot be ascribed to an existing genre. This highly prolific painter, who works on his craft almost daily and long hours, is never satisfied, always seeking, always experimenting, and always growing. Only the future will reveal the great heights his art will ascend. Certainly, one thing holds true for all of Kote’s masterworks: they capture shimmering moments in time and space and are filled with light, energy and love for whatever subject he chooses to portray.

Diana Pinck
Art and Travel Writer
25 A Magazine